Titles and Key Passages: Click on title for full discourse.
As people begin to practice, they often have questions about
attachment and nonattachment, trusting themselves, and about the
relationship between the problems they encounter in the world and the
way to deal with them. All of these questions are dealt with in this
koan, in Yunmen’s teaching of “Medicine and sickness heal each other.”
“All the world is medicine,” he said. Where do you find
yourself?
Moshan’s
Nature of the Summit Mountain
Koans of the Way of Reality
Moshan lived around 800 ad, the Golden Age of Zen in China. She was
a contemporary of another famous womanteacher of those times, Iron
Grindstone Liu, successor of Master Yangshan. Other significant Zen
figures of that era were Guishan, Linji, Dongshan, Deshan, and
Zhaozhou, a worthy company of sages.
In her name, “mo” means “summit” and “shan” means “mountain.”
Moshan literally translates into English as “Summit Mountain.” She was
a disciple of Dayu and the first woman dharma heir to be noted in the
official Zen transmission records. Miriam Levering, who has translated
Moshan’s records and teachings, writes that Moshan was the first nun
to be portrayed in Zen texts as taking up formal training activities
traditionally reserved for male teachers. She was an abbess of a
monastery and had a group of loyal students. She was a challenging and
demanding teacher. There is a chapter dedicated to Moshan in the
Record of the Transmission of the Lamp, compilation of stories about
Chinese Zen masters, written in 1004 ad.
When you see the truth clearly, you know how to use it freely. You
use it like a bird uses flight or a fish uses water. There’s no
reflection. It’s spontaneous and immediate. It doesn’t require
judgment, analysis or understanding. If you have not seen the truth
clearly, however, then you are like a bird in a cage, a fish in a
bucket. There’s no freedom. This koan points to freedom.
When adepts meet, they can see what is appropriate. These three
teachers, Xuefeng, Xuansha and Yunmen, belong to the same lineage, and
they can see what is or isn’t in accord with the Way. They are able to
distinguish right from wrong and together witness each other’s
clarity. Testing with a word, a gesture, a question and answer, they
clarify the truth. This testing is an important part of our tradition.
It’s not enough to just sit on a cushion day after day. Teacher and
student constantly encounter each other in order to test their
understanding — in order to set right what has gone
askew.
No
Communication Whatsoever
Master Dogen’s 300 Koan Shobogenzo, Case 44
Guishan was a famous Tang Dynasty master, co-founder of the Igyo
School, one of the five houses of Zen during the Golden Age of Zen in
China. He was an extraordinary teacher and had a very subtle way of
communicating the dharma. Among his many successors were Kyogen,
Kyozan and Iron Grindstone Lu.
To clarify each line in the koan, I added line comments. Guishan
sat on the teaching seat. A monastic came up and said, “Master, please
expound the dharma for the assembly.” The line comment says, Don’t be
greedy. He already has given everything he has to give. Guishan said,
“I have already exhausted myself for you.” The line comment adds, Poor
old teacher. There’s nothing left of him. Then, The monastic bowed.
The line comment asks, It’s easy to bow, but what does he really mean
by doing so?
I
Do What I Like Master Dogen’s 300 Koan Shobogenzo, Case
99
In looking at ancient koans and events that took
place 1,500 years ago in China, it is vitally important to understand
that koans, if taken up with the right spirit, do not loose relevance.
Each and every one of them addresses the fundamental questions and
problems of human existence, questions and problems that haven’t
changed since humans and human consciousness appeared on the face of
the Earth. These koans have been here since the beginning of humanity.
And they are a very personal matter, needing to be resolved by each
individual. For the most part, except for a handful of people in each
generation, they remain not only unresolved; they are rarely
authentically engaged. They are not put to rest. Instead of using them
to see into the nature of reality, we just keep reinventing them,
giving new shapes to our confusion and delusion.
Trusting
Buddha Master Keizan's Transmission of the Light, Case 1
The story of Buddha’s quest for enlightenment is a
story about trust. Buddha, throughout his life, trusted himself
deeply. He wasn’t a Buddhist. He simply practiced his life, and
engaged it fully, convinced that he had what was necessary to respond
to his questions and the challenges he encountered. His enlightenment
confirmed that trust. In seeing the morning star and exclaiming, “I
and all sentient beings on earth, together, attain enlightenment at
the same time,” Buddha essentially declared, “Trust
yourself.”
Dropping
Off Body and Mind Koans of the Way of Reality, Case 108
When we read about the enlightenment experiences
of the ancient teachers, we should remember that the person did not
exist in a vacuum and that their realization emerged within a specific
personal and cultural context. To fully appreciate the nature and
significance of a person’s enlightenment we need to look beyond the
time when they received approval of their insight, and study both the
teachings that followed and what preceded their
breakthrough.
Bringing
It to Life Master Dogen’s 300 Koan Shobogenzo, Case 132
This koan features teachers in the Soto lineage,
the lineage of Master Dogen. It goes back to the time of Dongshan, who
was the founder of the Soto lineage in China. Benren was a successor
of Dongshan. In this case, he is addressing the aspect of the dharma
that cannot be expressed, the teaching that is not present in what is
said, but in what precedes and follows that expression. What’s
transmitted in Zen doesn’t come from the outside. The realization of
the buddhadharma is a discovery; it’s making real that which is
already present. All communication can do is catalyze a process of
discovery that ultimately takes place within each
individual.
The
Realm of True Seeing Master Dogen’s 300 Koan Shobogenzo, Case
291
We should carefully examine Master Zhaozhou’s “eye
that grasps the universe” and see that it is untainted, free of
attachment, beyond being and non-being and not dependent upon
intellectual comprehension. This is the true eye of all beings that
creates the clarity that allows us to see that nothing in this
universe is hidden. When the true eye functions, it goes beyond
looking and enters the realm of seeing. Looking is superficial
perception; it’s about labeling, identifying, accepting, and
rejecting. It speaks to what things are. Seeing reveals what else
things are. It is a direct encounter that involves the whole body and
mind. The barrier of subject and object dissolves and one understands
it intimately. If you wish to understand the wondrous functioning of
such spiritual powers, you must avoid describing and discussing at all
costs, or else you will see ghosts in front of your skull. If you seek
it in thought, you’re sitting beneath the black mountain. Look! The
bright shining sun lights up the sky. Listen! The pure whispering wind
circles this great Earth. Enter here.
It Just
Can’t Be Discussed Master Dogen’s 300 Koan Shobogenzo, Case
295
Although you may understand Yunmen’s “It holds up the lantern and
goes inside the Buddha Hall,” the question is how do you understand
“It brings the monastery gate to the top of the lantern?” It just
cannot be discussed. It is here that Yunmen demonstrates his skill at
shattering intellection and dualities. He pulls out the nails, kicks
out the wedges, and lets the whole construct collapse. Only the wonder
of the mystery remains. We should enter here. An old master once said,
“The spiritual light shines alone, far transcending the senses.”
Yunmen has snatched the senses away for you. Are you willing to trust
and enter the mystery? Real teachers of our school don’t just present
Buddhist principles and doctrines. They cut away the complications.
Don’t you see? Self-nature is Buddha nature. The true nature of
ignorance is at once Buddhahood. The pure body of illusion is in
itself the pure Dharmakaya. The question remains, where do you find
yourself?
Shape
of a Buddha Master Dogen’s 300 Koan Shobogenzo, Case 172
This is an old case that’s been echoing in the halls of Zen
monasteries for centuries, and yet there have been only a handful of
students who have been able to penetrate its meaning. People
immediately rush to the words to understand, not realizing that words
and speech are just vessels to convey the truth, not yet the truth
itself. If you take Dongshan’s “three pounds of flax” to mean that
this is, in and of itself, Buddha, then you have missed his intent by
100,000 miles. We should understand at the outset that “three pounds
of flax” is not just a reply to the question about Buddha, and cannot
be understood in terms of Buddha. This being the case, you tell me,
“What is Buddha?”
Jiufeng’s
“One Who Transmits Words” Master Dogen’s 300 Koan Shobogenzo,
Case 221
The Great Master Bodhidharma said, “Zen is a special transmission
outside the scriptures, with no reliance on words and letters.” Master
Jiufeng said, “One who transmits words is outstanding among the
sages.” The visiting monastic came seeking clarification on this
matter. He did not yet understand that language and activity are one
reality. Sutras, koans, words, silence, the cooing of an infant,
images, gestures, right action, the sounds of the river valley and the
form of the mountain are all expressions of the buddha nature in
absolute emptiness. Jiufeng said, “I call him one who transmits words
because he pointed to heaven and earth.” I say that even insentients
transmit words. These mountains and rivers themselves are continually
manifesting the words of the buddhas and ancestors. Indeed, if we
examine this teaching carefully, we see that all of the phenomena of
this great universe — audible, inaudible, tangible and intangible,
conscious and unconscious — are constantly expressing the truth of the
universe of the buddha nature. Do you hear it? Can you see it? If not,
then heed the instructions of the Great Master Dongshan and “see with
the ear, listen with the eye.” Only then will you understand the
ineffable reality of the word.
Dongshan
and Shenshan Cross the River Master Dogen’s 300 Koan Shobogenzo,
Case 160
Face-to-face there is never anything hidden. Yet, fundamentally,
there is no way of explaining it all. No self and no other. Then how
can we speak of right and wrong? Dongshan and Shenshan are from the
same household. Both know well the contents of the kitchen pantry. We
should understand that mistake is in reality called learning. The
state of no-mistake is called nowness. In nowness there is no before
or after, no goals, agendas, or fixed direction. Like the meandering
river, it twists and turns in accord with circumstances, but always
knows how to find its way to the great ocean. If you wish to travel
like this, you must go alone and not carry any baggage. You must trust
yourself implicitly.
Jinfeng’s
Rice Cake Master Dogen’s 300 Koan Shobogenzo, Case 187
Zen ancestors have always understood that explaining the teachings
inevitably results in a mire of words in which the truth sinks away.
Jinfeng thus took up a rice cake and rolled it into the assembly. The
monastics, not knowing how to take it, responded like a herd of
trained seals. The master, trying to press the matter further said,
“Even if you had picked it up, you still would have only half of it.”
Half of what? Later, when asked by a monastic to please say it all, he
held up a rice cake, but the monastic did not understand. Again he
said, “I have expressed only half of it.” Why didn’t he express it
all, as the monastic had asked? If you say it cannot be expressed,
then why did he bring it up in the first place? If you say that it can
be expressed, then show it now. After all, if there’s one half here,
there must be another half somewhere.
Guishan’s
“Do Not Betray Others” Master Dogen’s 300 Koan Shobogenzo, Case
47
All masters throughout time have always looked to guiding and
aiding all living beings. They would set up their shops according to
their capacities, and in response to the imperative of time, place,
position, and degree. Appearing and disappearing in harmony with the
occasion, they created countless kinds of expedient means to alleviate
suffering. Guishan wanted everyone to know, so he stirred things up by
saying, “All hours of the day we receive people’s support. We should
not betray them.” Yangshan was an adept, and could not help but
respond. Guishan’s intention, however, was unfathomable; he wanted
more. Without hesitation, Yangshan again rose to meet the old man’s
challenge. But say, what was Yangshan’s meaning? We should understand
that to wear socks for others is a very personal matter. It is the
seamless Dharma activity that is the ten thousand hands and eyes of
great compassion itself. It is the spiritual light of four virtues of
the bodhisattva manifesting in the ten directions. But tell me, right
now, how do you manifest it in your life?
Yaoshan's
Non-Thinking Master Dogen’s 300 Koan Shobogenzo, Case 129
Abide in neither thinking nor not thinking. Thinking is linear and
sequential, a separation from the reality that is the subject of
thought, and thus is an abstraction rather than the reality itself.
Not thinking is suppressive. It cuts away thoughts the moment they
arise, making the mind into a great impenetrable mountain — dead,
unresponsive. Non-thinking has no such edges. It is the boundless mind
of samadhi that neither holds on to, nor lets go of, thoughts. It is
the manifestation of the buddha mind in which the dualism of self and
other, thinking and not thinking dissolve. This is the dharma of
thusness that is the right thought of all the buddhas in the ten
directions.
Zhaozhou’s
Buddha Master Dogen’s 300 Koan Shobogenzo, Case 80
Zhaozhou, seeing this monastic teetering on the edge, lost no time
in precipitating the situation. Finding no place to abide, the
monastic was stopped dead in his tracks. Again the old bodhisattva
pulled the rug out from under him. Do you understand? There are no
side roads along the great way, yet there is no place that it does not
reach. The truth of the way is not in seeing or hearing nor is it in
words and ideas. If you can cut through the entanglements and untie
the bonds of the Buddhas and ancestors, you have discovered the land
of clarity and peace where even heaven and hell cannot reach. If you
seek it from others, you go astray. If you seek it within, you are far
removed from it. What will you do?
Bodhidharma’s
Skin, Flesh, Bones and Marrow Master Dogen’s 300 Koan Shobogenzo,
Case 201
If you take these different responses as being superior or inferior
to each other, you have missed the intent of the Ancestor. We should
realize that although each disciple’s expression of the Dharma was
different than the others, nonetheless, each in his or her own way
contained the teacher’s whole being. Given that Bodhidharma was not
approving the depth of understanding by the use of the terms "skin,
flesh, bones and marrow," who did he transmit the Dharma to? If you
say all four received the Dharma, why then is it said that "thus he
transmitted the Dharma and robe to Huike" alone? If you are able to
see into it here, you will understand the heart of the
Ancestor.
The
World-Honored One’s Intimate Speech Master Dogen’s 300 Koan
Shobogenzo, Case 34
The intimate speech of the Buddha is the original face of all
buddhas and ancestors. It cannot be given, nor can it be received. It
is not inherent, nor is it newly acquired. If you think that Master
Yunju’s calling and the official’s answering is the Buddha’s intimate
speech, you have missed it. In intimacy the ten thousand things have
merged and thus cannot be spoken of. In understanding, heaven and
earth are separated, and nothing is hidden.
Dongshan’s
Heat and Cold Master Dogen’s 300 Koan Shobogenzo, Case
225
Dongshan’s “go to the place where there is no cold or heat” is like
flowers blooming on a withered tree in the midst of a frozen tundra.
His “let the cold kill you, let the heat kill you” is the roaring
furnace that consumes every phrase, idea, and thing in the universe.
Even the Buddhas and sages cannot survive it. Nothing remains. We
should understand clearly, however, that this “let the cold kill you”
is not about cooling off. Cold is just cold, through and through.
Also, “let the heat kill you” is not about facing the fire. Heat is
just heat, through and through. Further, there is no relationship
whatsoever between Dongshan’s heat and cold. Heat does not become
cold. Cold does not become heat. The question really is, where do you
find yourself?
Caoshan's
Love Between Parent and Child Master Dogen’s 300 Koan Shobogenzo,
Case 211
At the time of birth parent and child become each other. This means
that in the middle of the night before the moon has appeared, do not
be surprised if people meet without knowing each other. At this point
the empty sky has vanished and the iron mountain has crumbled; there’s
not an inch of ground to stand on. Be that as it may, still mountains
are high and valleys are low. Thus, Caoshan says, “The love between
parent and child neither arises nor vanishes.” How then can they be
divided into fragments and segments? All this notwithstanding, how is
it that parent and child can meet and yet not know each
other?
The Old
Woman of Taishan Master Dogen’s 300 Koan Shobogenzo, Case
29
This koan about an old woman and Zhaozhou presents a wonderful
opportunity to deepen our appreciation of how to work with traditional
koans. Frequently our tendency when confronting a barrier is to
respond to what is on the surface. When we practice koans, we often
only deal with what is immediately provided by the translator. We
rarely investigate other sources and dig below the surface. And there
is always a lot more to a koan, or any barrier for that matter, than
first meets the eye.
Sansheng’s
Golden Fish Master Dogen’s 300 Koan Shobogenzo, Case 52
The net is elusive: appearing and disappearing it creates edges
that are nonexistent. When it knows the net, the golden-scaled fish is
inherently free in every way . Be that as it may, the golden fish who
has passed through the net clearly does not eat ordinary food. What is
its food? Sansheng is a distinguished adept, so why did Xuefeng say,
“I will tell you after you have come out of the net?” Although
Sansheng knew how to turn the spear around, still old Xuefeng remained
poisonous. Can it be said that these two have passed through the net,
or is it that they are just harmonizing in delusion?
Daowu
Won’t Say Master Dogen’s 300 Koan Shobogenzo, Case 29
Grappling within the forest of brambles, Zen practitioners the
world over probe the question of life and death. Before it is
realized, it is like a ten mile high wall or a bottomless gorge. After
it is seen, it is realized that from the beginning the obstructions
have always been nothing but the self. Lost in the double barrier of
life and death, the monk in this Koan has to know. Because of intimacy
the old master won’t say. From the time of the Buddha down to the
present, this is how it has been. However, if you think this old koan
is about the corpse being alive or dead, then you too have missed the
old master’s teaching. There is no place to put this gigantic body.
When the universe collapses, It is
indestructible.
Yunyen’s
Insentient Beings Preach the Dharma Master Dogen’s 300 Koan
Shobogenzo, Case 148
The ten thousand things are neither sentient nor insentient; the
self is neither sentient nor insentient. Therefore, the teachings of
the insentient cannot be perceived by the senses. The teachings are
heard before there is a body and after the mind is forgotten. It is
heard before our parents were born and before the Buddha appeared. It
is not a matter of ordinary consciousness. How then can it be heard?
When body and mind have fallen away, in the stillness that follows,
the teachings are intimately manifested and in great profusion.
Whether we are aware of it or not, it’s always taking
place.
Mazu’s
"What is the Meaning of Bodhidharma’s Coming from India?" Master
Dogen’s 300 Koan Shobogenzo, Case 108
This monastic is sad indeed. His questions only succeeded in
driving these adepts nostril-deep in muck and water, in an effort to
help him, and in the end he still didn’t get it. Be that as it may, do
you get it? Mazu was tired and sent him to Zhichang. Zhichang tried to
send him back to Mazu. When that failed, he said he had a headache and
sent him to Baizhang, who in turn said he didn’t understand it. These
adepts were accomplished Dharma Masters; why would they avoid such a
challenge? Is it just that it is inexpressible given the context of
the monastic’s question, or did they indeed address the matter? If you
can see clearly into this you will understand it from the outset. The
whole scenario was a redundant disaster up to and including Mazu’s
"Zhichang’s head is white; Hai’s head is black." And yet, at the same
time, all of it went beyond the four propositions and hundred
negations.
Vimalakirti’s
Gate of Nonduality Blue Cliff Record, Case 84
Though you say "it is," there’s nothing which "is" can confirm.
Though you say "it is not," there’s nothing that "is not" can negate.
When "is" and "is not" are left behind and gain and loss are
forgotten, then you are clean and naked, free and at ease. But tell
me, what is in front of you and behind you? If there is a patch robed
monk who comes forward and says, "In front is the Buddha shrine and
the main gate; behind is the abbot’s room and private quarters," tell
me, does this person have eyes or not? If you can judge such a person
I’ll allow that you have personally seen the ancients.
Changsha’s
Liturgy 300 Koan Shobogenzo, Case 271
In ceremony there are forms and there are sounds, there is
understanding and there is believing. In liturgy there is only
intimacy. Haven’t you heard the ancient master’s teaching: “Seeing
forms with the whole body-and-mind, hearing sounds with the whole
body-and-mind one understands them intimately” Intimate understanding
is not like ordinary understanding. Ordinary understanding is seeing
with the eye and hearing with the ear; intimacy is seeing with the ear
and hearing with the eye. How do you see with the ear and hear with
the eye? Let go of the eye, and the whole body-and-mind are nothing
but the eye; let go of the ear, and the whole universe is nothing but
the ear.
Fayan’s
Single Body Revealed 300 Koan Shobogenzo, Case 177
Setting up the teachings and establishing monasteries is the
function of genuine masters of our school. Distinguishing dragons from
snakes, adepts from imitators is what an accomplished teacher must do
in order to act in accord with the imperative. Having freed himself
from birth and death, he sets the teachings in motion with ease.
Without blinking an eye he kills or gives life. After all, if all the
waves of Caoxi were the same, the teachings would have long ago lost
their ability to heal and nourish.
Advice
of the Caterpillar Koans of the Way of Reality, Case 52
The very body and mind of all beings is as great and boundless as
the universe itself. As for how small it is, it is finer than a single
atom. We should understand that holding on and letting go are not
another’s doing. Rolling up and rolling out are both within one’s own
power. If you want to free what is stuck and loosen that which is
bound, simply remove all traces of mental activity. At this very
moment, if one’s vision and hearing are clear, and color and sound are
purely perceived, tell me, which side is the right side? "This side"
doesn’t reach it; "that side" doesn’t reach it. "Neither this nor
that" misses it. "Both this and that" are ten thousand miles from the
truth. Avoid the slightest trace of right and wrong, and say a
word.
Hsuan-sha’s
One Bright Pearl 300 Koan Shobogenzo, Case 15
When our lives are not free of fixed positions we drown in a sea of
poison. Following after another’s words and mimicking others’ actions
is the practice of monkeys and parrots. Zen practitioners should be
able to show some fresh provisions of their own. Be that as it may,
you should understand that even in the cave of demons on the black
mountain the one bright pearl’s radiance is not
diminished.
Cho
Hsiu-ts’ai’s Poem Koans of the Way of Reality
Art practice is one of the Eight Gates in the matrix of training we
have developed at Zen Mountain Monastery. We regularly offer retreats
on the artless arts of Zen, and use the creative process to study the
self. Yet Zen art is not Buddhist art. It’s not Eastern art, and it’s
not Western art. It’s not modern art or ancient art. It’s not
self-expression, evocation, or communication. It is simply the endless
spring revealed. Zen art is not just a matter of brush and paint,
words and paper, music, movement, or image, but rather the unfolding
of a single blossom from beneath ten feet of snow.
Precepts
and Environment
Imagine a universe that is a self-creating, self-maintaining, and
self-defining organism - a universe in which all the parts and the
totality are a single entity, all of the pieces and the whole thing at
once, one thing. This description of reality is not a holistic
hypothesis or an all-encompassing idealistic dream. It is your life
and my life. The life of the mountain and the life of the river. The
life of a blade of grass, a spiderweb, the Brooklyn Bridge. These
things are not related to each other. They’re not part of the same
thing. They’re not similar. Rather, they are identical to each other
in every respect. But the way we live our lives is as if that were not
so. We live our lives in a way that separates the pieces, alienates
and hurts. The Buddhist Precepts are a teaching on how to live our
lives in harmony with the facts described above. When we look at the
Precepts, we normally think of them in terms of people. Indeed, most
of the moral and ethical teachings of the great religions address
relationships among people. But these Precepts do not exclusively
pertain to the human realm. They are talking about the whole universe
and we need to see them from that perspective if we are to benefit
from what they have to offer, and begin healing the rift between
ourselves and the universe.
Transmission
of the Light 1995 Tokubetsu Sesshin Talk
Master Dogen comments in the Eihei Goroku: Although when Kassan
was at the other temple he was excellent in discussion, he expounded
the teachings to humans and celestials, he was perfect in speech and
no one could defeat him in argument, it still wasn’t complete. Since
he had seen Tokujo, he had realized himself, so there was nothing more
to be desired. He succeeded in the essence of the Buddha and became
the master. We may seek such a person in the world now, but we find it
impossible - ah, what a shame. Noble Buddhist trainees must know this:
first of all you must have an indestructible bodhi-seeking mind and
fix your eyes upon the absolute realm beyond increase and decrease;
see how Tokujo left a fishing hook. Who could do such a
deed?
Seppo
and Gensha Build a Cemetery Koans of the Way of Reality
Once when Gensha was attending Seppo, they went to enjoy the
mountain scenery. Seppo said, "I’d like to make this piece of land
into a cemetery. " Gensha said, "Yes, it’s a good place to build a
seamless tomb." Seppo began taking measurements. Gensha said, "That’s
right. But I wouldn’t say it like that." Seppo asked, "How would you
say it then?" Gensha replied, "Build a tomb!" Seppo said, "Good,
good."
"Painting
Spring" excerpted from The Eight Gates of Zen
Master Dogen, addressing the assembly, said: My late master, old
Buddha (T’ien-t’ung Ju-ching) said, "The original face has no birth
and no death, spring is in the plum blossoms and enters into a
painting." When you paint spring, do not paint willows, plums,
peaches, or apricots, but just paint spring. To paint willows, plums,
peaches, or apricots is to paint willows, plums, peaches, or apricots
- it is not yet painting spring. It is not that spring cannot be
painted, but aside from my late master, old Buddha, there is no one in
India or China who has painted spring. He alone was the sharp, pointed
brush who painted spring. This spring is spring in the painting
because it enters into a painting. He does not use any other power,
but lets plum blossoms activate spring. He lets spring enter into a
painting and into a tree - this is his skillful means. Because my late
master, old Buddha, clarified the Treasury of the True Dharma Eye, he
correctly transmitted it to the Buddhas and ancestors who assembled in
the ten directions of past, future, and present. In this way, he
thoroughly mastered the eyeball and opened up the plum
blossoms.
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