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Vipashyana Meditation The
Dzogchen Ponlop Rinpoche Excerpted from
the transcript of "Tranquility And Insight Meditation" (Texas
1992) Part 4 of 5 | 1, 2, 3
, 4, 5
We have
now completed an extensive explanation of tranquillity
meditation. One may now ask, "What is the result of practicing
tranquillity mediation?" It is that the mental afflictions are
pacified or caused to lie dormant; manifest mental affliction does
not occur. However, tranquillity meditation by itself cannot
eradicate mental afflictions.
Insight or vipashyana (lhatong ) is extremely
important because it can eradicate the mental afflictions,
whereas tranquillity alone cannot. That is why one wants to be
able to practice them in a unified manner. The unified
practice of tranquillity and insight has three steps. First
one has to practice tranquillity; then one has to practice insight;
and then one brings the two together. Doing this will
eradicate the cause of samsara (which is mental afflictions),
thereby eradicating the result of samsara (which is
suffering). For that reason, it is improper to become too
attached to the delight or pleasure or tranquillity, because
tranquillity alone is not enough.
As was said by Lord Milarepa in a song,
Shiné means shiné. Ge
means "of". Zing means pool; so pool of shamatha.
La is "to." Shen is "attached," and par
is negation, so it means "not attached" to the pool of
shamatha. Lhatong is lhatong, vipashyana.
Ge is "of" again. Metok is the flower; in this
case a lotus. Trung means "born" or "arise."
Shok means "may." .
In these two lines, tranquillity is compared to a pool
of water, and insight to a lotus flower which grows up out of that
pool and beautifies the pool. If one is content just with the
pool of water, which exists in order that the flower can grow, and
one does not actually grow the flower, it is not beautified.
If however one attempts to grow the flower without the pool,
it cannot arise (lotuses can only grow out of a body of water); and
even if it could arise, it would dry up.
Such quotes as these from the songs of Milarepa are
appropriate to be chanted from time to time. So you could
learn the Tibetan as well as the English, and occasionally recite
it. That is recommended. The reason why it is
appropriate to sing melodically entire songs or quotes from the
songs of Lord Mila is that his songs are the songs of a
siddha. Therefore the words and the meaning carry great
blessing, and can generate great benefit.
Three Causes of the Generation of Insight
What is
insight? It is very important. It is described as being
the prajna or full knowledge which distinguishes all dharmas
or all things. How does one generate it? According to
Jamgon Lodro Thaye in the Treasury of Knowledge, one
generates it in reliance upon three causes. These three causes
are taught in Stages of Meditation by Kamalashila. The
first of them is to rely upon great beings, which means upon
qualified spiritual friends or teachers, from whom one receives
instruction. This alone is not sufficient, however. It
is necessary to apply the second cause, which is to become learned,
or literally "to have listened a great deal." One should
thoroughly examine the Buddha's teachings, his supreme speech, as
well as the commentaries on these teachings, by the scholars and
siddhas of India, Tibet and so forth. However, this itself is
also not sufficient, because the third cause is also necessary,
which is proper reflection--to properly and thoroughly examine the
actual meaning of the instructions that one has studied. In
reliance upon these three causes, one can generate the full
knowledge, which is insight.
Supramundane Insight
There
are said to be three varieties of insight. These are first of
all mundane insight; then supra mundane insight of the hinayana, and
the supra mundane insight of the Mahayana. Of these we are
concerned today with the two supra mundane insights, which will be
briefly explained.
There are two categories of wisdom: what there is and
how it is; this is concerned with what there is, the
varieties. The practice of supra mundane insight involves two
stages, the first of which is called full discrimination. Full
discrimination is an examination of conventional things or
conventional dharmas. Its nature is an unmistaken knowledge
which discriminates correctly between the various characteristics of
what is experienced. This is mainly an examination of
conventional things, such as (externally) the five objects of the
senses (sights, sounds, smells, tastes and tactile sensations), and
internally the five aggregates, the eighteen elements and the twelve
fields of sense perception. It consists of an understanding of
all of these individually, with their specific characteristics based
on a thorough examination of them. It leads to the knowledge or
insight that sees all things as being of the nature of the Four
Noble Truths. It sees how there is ever-present suffering; it sees
that the cause of suffering is impermanence. In fact it sees
both coarse impermanence, which is the impermanence of cessation or
destruction, and subtle impermanence. This insight into
conventional reality is extremely important. It is easy to
acquire, because conventional things are, by definition, what appear
for one's ordinary conceptual experience or perception.
One may ask, "To what experience does the practice of
full discrimination lead?" It leads to an experience which is
analogous to that of someone with poor eyesight who goes to a doctor
and gets a prescription for glasses, and then can see lots of things
that he could not see before. What happens is that one sees
much more detail. Whereas before, one's vision was fuzzy, one
now sees things clearly. If someone with poor eyesight who has
never worn glasses begins to wear them, then they will say things
like, "Oh, I never saw that before," or "I never knew it looked like
that." The experience of full discrimination is analogous to
that. In fact the nature of this experience is indicated by
the meaning of the word lhatong, which we translate as
insight itself. "Lha" means superior, in the sense of
something better (vaster or more profound) than before. "Tong"
means to see. So it means one's vision is more profound, much
vaster than before.
The first part of insight is called full
discrimination; the second part is called "utterly full
discrimination." It consists of an examination of the absolute
truth or absolute reality. This is an understanding of the
absolute or actual nature of each and every thing--of external
things, of individuals, of situations and so forth.
Particularly in the context of the Mahayana it is an examination,
and the resulting understanding of, twofold egolessness: the
non-existence of the individual and the non-existence of
experience.
This is a little hard, because this ultimate nature
transcends the intellectual or conceptual mind. However it is
necessary to begin with a conceptual examination of it. In the
midst of a conceptual examination, one can view or acquire a glimpse
of the wisdom that itself transcends concept. In fact, one has
to proceed in that way. One cannot say at the very beginning
"This wisdom and this nature are totally transcending conceptual
mind, and so there is no point in attempting to reach it
gradually." One has to make use of conceptual mind; but
conceptual investigation will lead to a realization that transcends
the concepts.
Analytical Meditation
There
are two traditions of how this is begun. In one tradition, one
begins by analyzing the imputed self of persons, and thereafter
analyzes the self of things. In the other tradition, one
begins by analyzing the imputed self of things, and thereafter
analyzes the imputed self of persons. It does not really make
any difference.
We could begin by looking at the self of
persons. In order to do this, we have to begin with the first
part of insight, full discrimination, because the understanding of
conventional reality that is gained through full discrimination is
useful here, as one begins by determining the nature of such things
as the five aggregates, and the sense components and sense
fields. Fundamentally, one begins by looking for what we call
"I," looking for our "self," and looking for this thing to which we
constantly exhibit such clinging. According to Buddhadharma,
when you analyze this I, to which we have so much clinging, you find
that it consist of what are called the five aggregates. Aside
from these five aggregates, there is no self that can be
found. Finding that it must be, if it exists, one or more of
the five aggregates, then one tries to determine which one of the
five it is. Is it form? Is it sensation? Is it
perception? Is it mental formation? Is it
consciousness? Each of these is, as the name aggregate
implies, an agglomeration of many things. One determines that
even if it is one of the five, it must not be that entire one, if it
is a unitary thing. It must be one part of one of the
five. One analyses each of the five, and each of their
components, to try to determine which part of which of the five this
"self" actually is. One asks, "Can I actually find it?" and
one attempts to look for it.
What you are looking for is this self that we normally
take to be present, and a unitary thing. One analyses the
ego-clinging itself, the imputation of this self, and tries to
determine whether it has any accuracy. This imputation or this
clinging is the root of mental affliction. When you analyze
this imputed self, you cannot find it. You determine through
the analysis that it cannot exist or be present in the manner in
which we conceive of it. This experience that one sometimes
has through the practice of analysis, of not being able to put one's
finger on the self, is a glimpse of the wisdom that transcends
concept. This is called the arisal of a glimpse of wisdom
through analytical meditation.
It is a fact that mere appearances do not obscure or
afflict us. It is our reaction to them. The Buddha said
in the sutras that if one could just hear the sounds that one hears;
if one could just smell, or just feel a tactile sensation, that
would be very good. But that is not what we do. When we
contact a sense object, it starts a process of reaction. In
this connection, Tilopa said to Naropa, "Son, it is not by mere
appearances that you are fettered; it is by craving or
clinging." Naropa cut through craving or clinging, which seems
to be the same meaning as the Buddha's statement in the
sutras.
If one can continue to apply this analysis of the self
of persons again and again, and through that analysis continually
get glimpses of this subtle wisdom, then at a certain point the
experience of the subtle wisdom will become continuous.
If one investigates the true existence of things, one
investigates it to determine whether things are real or not--whether
they have a true existence, and if they are solid. This is
more than just a coarse or shallow examination; the manner of
investigation is primarily threefold. One investigates by reasoning
a) by cause, b) by result or effect, and c) by nature. Through
the application of these various manners of analysis, one comes to
gradually reveal the emptiness of all things. For example, if
I were to analyze the status of the glass which is in front of me, I
would try to determine exactly what the glass really is. Is it
a physical object, compounded of subtle particles, or is it a
name? If it is a name, there is a problem because it is called
different things in different languages. On the other hand if
I say that it is compounded of subtle particles, then it can be
determined both by the reasoning of the Middle Way school and by the
proof in modern physics that subtle particles have no true
existence. In that way, one analyzes and breaks down the
objects of experience.
There is a great deal of detail to how this is done,
and excellent explanations of these matters of analysis are
available in the English language in such texts as An Open Door
to Emptiness by Kenchen Thrangu Rinpoche, and Progressive
Stages of Meditation on Emptiness by Khenpo Tsultrim Gyamtso
Rinpoche. Both of these texts are extensive in their
explanations, and reliable. You cannot really get it by
reading them just once; you have to read them again and again and
again. The way in which the meaning is expressed in these
texts is not hard to understand, but the point itself, that which is
being expressed, is so profound and subtle that it requires
extensive and repetitive investigation.
Part 4 of 5 | 1
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