Songs on Yolmo Snow-Mountain |
From the songs of Milarepa commentated on by Khenchen Thrangu Rinpoche |
I have chosen this chapter from the collected songs of Milarepa because Yolmo mountain is very near to Kathmandu, and there are persons here (in Kathmandu, where Thrangu Rinpoche was delivering this seminar) who feel a strong connection Yolmo. Marpa had told Milarepa what places he should practice in. One of these was the Yolmo snow-mountain, and so Milarepa came to Yolmo and stayed in a cave called Tapuk Senge Dzong (Tiger Cave) in the forest of Singaling. While he was there local deities caused him no obstacles; they manifested themselves in peaceful forms, and took an oath to serve and honor him. Milarepa’s meditation progressed well. One day five young men and women came to see him and asked him to teach them the Dharma. They said, “This is such a terrifying place, the quality of someone’s practice would be bound to be very unstable. Has this happened to you?” In answer to their question, he sang them a spiritual song in which he said:
The five pupils felt great faith on hearing Milarepa’s song. He then gave them instructions, they meditated and attained good qualities which pleased Milarepa. He sang them a song about the kind of conduct they should have, in which he said:
After those general instructions, Milarepa gave specific instructions on how his students were to conduct themselves on the path of means by being involved practices such as the Six Yogas of Naropa. He then gave them the profound instructions of the oral transmission:
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Then Milarepa’s students asked him how they could practice self-sufficiency, and Milarepa sang some general instructions that they must practice well, have firm faith and devotion, and so on. They did practice well, and with great faith in Milarepa they offered him a mandala of gold and asked for instruction on the essence of view, meditation, and conduct. Milarepa said that their practice was better than an offering of gold, and returned the gold to them. Then he sang a song in which he said:
The Buddha’s view has two aspects: the sutra and mantra views. In the sutra path we engage in understanding the true nature of phenomena by primarily engaging in logical arguments. In the mantra path, however, we engage in the understanding of the nature of phenomena through direct perception of mind.
In this way view, meditation, conduct, and result have three aspects each, making twelve aspects in all, or as Milarepa says, the twelve nails hammered into them. There is an additional nail that is hammered in, a thirteenth nail, which applies equally to view, meditation, conduct, and result ---that is the nature of phenomena which is ungraspable. It is an emptiness which transcends all extremes, all conceptualization. Who is it that hammers in these thirteen nails? It is the guru who introduces the pupil to a recognition of the ungraspable nature. If we analyze too much, the mind becomes confused and the nails will not go in. However, when we understand the innate nature exactly, the nails will be hammered in. These thirteen nails are the wealth that belongs to all Dharma practitioners. Milarepa says, “They have arisen in my mind. Take pleasure in them and practice them.” Then Milarepa sang them another song:
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Ten Teachings from the 100,000 Songs of Milarepa. translated by Peter Roberts. © Namo Buddha Publications |